James Bowman comments on what us in the blogsphere encounter all the time: defenders of The Same Old Crap demonstrating incredulity that, well, defies credulity:
There must be some significance to the fact that, for the moment at any rate, while we in America have moved on from random shootings of schoolchildren and young adults to random shootings of old people the school shootings have started turning up in Europe. The most recent example happened in Germany a couple of weeks ago. Though not extensively reported in the American press, the latest massacre got a lot of attention in Europe, as did the fact that the murderer was a keen player of violent video games — which naturally led to an effort in the anti-”censorship” media to exonerate such games from any culpability in the massacre. Writing in The Sunday Telegraph, Michael Deacon wrote:
It puzzles me, this implication that violent “low art” is to blame. “High art” often contains shocking violence, too, yet one never reads an article that implies a connection between “high art” and murder. Nobody, I feel fairly sure, would suggest that Shakespeare is a dangerous influence on the young. Nobody would fret that reading Hamlet might encourage an adolescent loner to murder his uncle, or that Titus Andronicus might prompt him to butcher two men, bake their remains in a pie and feed it to the men’s mother. Nobody is campaigning for the removal from the national curriculum of Romeo and Juliet on the grounds that it glamorises suicide. Like video games, literature has a habit of presenting vile characters in a favourable light. The narrator of A Clockwork Orange is a rapist – a witty, intelligent rapist. The narrator of Lolita is a paedophile — a witty, intelligent paedophile. While I was a teenager, I managed to read both these books without a horrified teacher, parent or indeed journalist dashing them from my hand.
I can’t decide just how disingenuous Mr Deacon is being, or if he really can’t see the very obvious differences between Hamlet and Grand Theft Auto IV — now available, as I mentioned in a post last week, in a version for the Nintendo DS, the successor to the Game Boy. In case he can’t, it is this. The violence of what he calls “high art” — at least that which includes Shakespeare, Anthony Burgess and Vladimir Nabokov among its practitioners — has a moral context and that of video games has none. Is it credible that there could be no connection between a boy’s training himself up to a taste for contextless violence, violence for the mere thrill of it, and his obvious failure to have seen any moral context to his decision to gun down 15 of his classmates?
He also highlights something easily applied to the recent Notre Dame nonsense:
Though police found a cache of weapons in the Nevada man’s parents’ house, where he lived, including many of the same guns used by his hero, he hadn’t actually harmed anyone, and his lawyer argued that the e-mails, which only implied a threat instead of making one directly, had only been his way of “initiating a discussion on causes of school violence.”
Boy! You can get away with anything, so long as it initiates a discussion.
Full entry here: http://www.jamesbowman.net/diaryDetail.asp?hpID=265
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