By the late seventies, the mine of (English) symphonic progressive rock was played out. Bands like Yes, Emerson Lake and Palmer, and Genesis fractured or went dormant. The musicians from these bands wandered about picking up whatever work they could scrounge. Many bands reassembled, dumped the progressive rock genre in favor of commercial popular music and made dumptrucks full of money. The period between high progressive rock and commercial pillaging produced some…ahh…interesting output. Almost forgotten is off-and-on Yes drummer Bill Bruford’s Gradually Going Tornado. It features bassist Jeff Berlin who is notable for being pehaps even more technically competent than Jaco Pastorius. And like Jaco, the original compositions he produced that anyone would actually want to listen to can be counted on one hand. Anyway, Jeff gets to sing on this album, which is a bit like letting Ringo sing on Beatles albums. He is on pitch mostly, but you can’t help but think that the orginal slated vocalist fell through. Anyway, it screams 1980 if you happened to grow up in this period:
What’s reactionary about it? Not much I suppose, but consider how much progressive rock was hated by the critics from the Neo-Marxist school*. That is, the Rolling Stone critics that adored the sacred cows of classic rock: The Beatles, Clapton, The Rolling Stones, etc. That is to say, ostensibly blues-based rock. While progressive rock had plenty of radicalism in it—experimental drug use, lyrics inspired by the spurious glitter of Eastern mysticism, and peace and love stuff so sentimental you needed to keep a supply of air-sickness bags on hand—they also borrowed heavily from the Western (read white) harmonic and structural tradition. Again, Mordor tolerates no deviation from its ideology of chaos, so the critics refused to make a friend of prog-rock for its many radical elements and instead made them an enemy based on the traditional. They also lashed out against heavy metal which they considered an opiate and it may be no surprise that when I talk to traditionally-minded Catholics, many of them also have an interest in another tradition-borrowing genre, power metal. Up the Irons right-wingers! \m/-_-\m/
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*For a treatment of this, read Rocking the Classics: English Progressive Rock and the Counterculture by Edward Macan


